Downtown Film Festival judges say hand me the envelope please…And the winner is…

14 07 2012
Downtown Film Festival L.A.Announces 2012 Award Winners

Betty I Am” and “We Are Legion” Given Best Picture NodsAnthony Meindl for “Birds Of A Feather” and Caskey Ebeling for “Getting Up”

Honored as Best Directors

Melissa Leo and Joey Capone Take TOP Acting Awards

Heathen and  Thieves” Captures Audience Favorite Award

The downtown Film Festival grows in the number of films entered and people attending each year. This is the first fest since it was in hiatus for two years and was held at the Independent theater with a dynamite afterparty at Towne (9th & Flower).

The winners of the 2012 Downtown Film Festival Los Angeles were announced today (Friday, July 13th) in an awards presentation at The Hayworth Theater in Los Angeles.

Taking top honors were “Betty I Am” and We Are Legion” for Best Picture feature narrative and  feature documentary, respectively. “Betty I Am” by director Jose Renteria Jr.is a stylish black-and-white film shot on 16 mm that follows the story of two siblings brought together by the untimely death of their father. “We Are Legion,” directed by Brian Knappenberger, is an in-depth, behind-the-scenes look at the secret hacktivist movement Anonymous.

Best Director honors went to Anthony Meindl for his narrative feature “Birds Of  A Feather”and to Caskey Ebeling for her documentary feature “Getting Up: The Tempt One Story.” Meindl’s film is a new twist on the time-honored comedic movie genre where the action revolves around the mounting of a musical play. Ebeling’s film is  a poignant account of the comeback of well-known graffiti artist Tempt One who became ill with ALS, the debilitating neurological affliction also known as Lou Gehrig’s Disease.

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All four films – “Betty I Am,” “We Are Legion,” “Birds Of A Feather” and “Getting Up” made their  Los Angeles premieres during the festival.

“These independently produced feature films reflect the extraordinary quality and diversity of content in today’s independent cinema. We’re very proud to have played a role in providing a showcase for them in the Film Capital of the World,” said Greg Ptacek, Festival Co-Director.

Sharing the Best Picture Short Film award were “Been Good To Know Yuh” by director Corey Brandenstein, an imaginative depiction of a chapter in the life of poet-songwriter and folk singer Woody Guthrie,  and “This Is A Story About Ted and Alice” by director Teressa Tunney, a battle of the opposite sexes with a decidedly different ending.

The Audience Favorite award was captured by “Heathens and Thieves,” a genre-bending action thriller with a  film noir plotline of intrigue and betrayal but set in the Old West.

Oscar winner Melissa Leo took the Best Actress award for her dark comic role as a woman on the dating circuit in “This Is A Story About Ted And Alice.” Joey Capone was named “Best Actor” for his role in “Carlos Spills The Beans,” playing a character who inherits the family restaurant with disastrously funny consequences.

A complete list of the film awards, as they were presented at tonight’s Closing Night ceremony, follows. Downtown Film Festoval L.A. is a nonprofit organization dedicated to spotlighting emerging film talent in the culturally diverse and historic downtown district of Los Angeles.

Downtown Film Festival L.A. 2012 Film Awards

Note: Titles in ALL CAPS indicate feature-length films. Titles in “quotes” indicate short films.

1. Best Director – Short Film

Lauren Lillie – “Paying for It”

2. Best Editing – Short Film

Nayeli Garci-Crespo & Santi Minasi – “Dissent”

3. Best Screenwriting – Short Film

Paul Grellong – “Tracer Gun”

4. Best Cinematography – Short Film

Joe Kocsis – “Legend of the Widower Colby Wallace”

5. Best Musical Score – Short Film

Paul Festa – “The Glitter Emergency”

6. Best Short Films – Honorable Mention

  •  “The Glitter Emergency” directed by Paul Festa
  • “Past Due” directed by Denise C. Plumb
  • “Paying for It” directed by Lauren Lillie
  • “Scenen (Act 1, Scene 1)” directed by Hans Montelius
  • “Substance Ovüse”directed by Burke Roberts

7. Best Short Films (tie)

  •     “Been Good To Know Yuh” directed by Corey Brandenstein
  •     “This Is A Story About Ted and Alice” directed by Teressa Tunney

8. Best Los Angeles Films (All Films)

“Botes al Amanecer” directed by Nikki V. Roberts

9. Best Editing – Feature

Nils Arrington & Thom Newell – JUST LIKE BEING THERE

10.  Best Screenwriting – Feature

Iris Almaraz & Gustavo Ramos – DELUSIONS OF GRANDEUR

11. Best Cinematography – Feature

Robert Murphy – CARLOS SPILLS THE BEANS

12.  Best Music/Score – Feature

Adam Blau – FUZZ TRACK CITY

13.  Best Performance by an Actor – Honorable Mention

  •     Michael Buffo – “Slapstick Porno”
  •     Robert Loggia – THE DIARY OF PRESTON PLUMMER
  •     Jimmy Simpson – “Tracer Gun”
  •     Rob Tepper – “Been Good to Know Yuh”

14. Best Performance by an Actor (All Roles/All Films)

Joey Capone – CARLOS SPILLS THE BEANS

15 . Best Performance by an Actress – Honorable Mention

  •     Anishika Fontae – “Gasp”
  •     Kelsey Ford – “Paying for It”
  •     Celeste Pechous – “Past Due”
  •     Matthew Simmons (playing Peg-Leg Ballerina) – “The Glitter Emergency”

16. Best Performance by an Actress (All Roles/All Films)

Melissa Leo – “This Is a Story About Ted and Alice”

17. Best Director – Feature Narrative

Anthony Meindl – BIRDS OF A FEATHER

18. Best Director – Feature Documentary

Caskey Ebeling – GETTING UP:  THE TEMPT ONE STORY

19. Audience Favorite Award (All Films)

HEATHENS AND THIEVES

Directed by Megan Peterson & John Douglas Sinclair

20. Best Picture – Documentary

WE ARE LEGION

Produced and Directed by Brian Knappenberger

21. Best Picture – Narrative

BETTY I AM

Produced by Joe Engelke, Israel Gomez

Directed by Jose Renteria Jr





TV/ film permits, international trade and tourism helping economy recover says Kyser Center for Economic Research in study released today

16 02 2011

LAEDC Report Says  Southern California,  California, U.S.  Economic Recovery is Underway, Stronger Growth in ’12

In L.A. County, international trade, entertainment and tourism leads regional economy.

A separate report shows striking economic and personal ties with Japan

Dr. Nancy Sidhu

Los Angeles — The economic recovery is  under way led by increased international trade  and growth in the high-tech sector,  entertainment and tourism, according to  the 2011-2012 Economic Forecast and  Industry Outlook report released today by  the Kyser Center for Economic Research at  the Los Angeles County Economic Development  Corporation (LAEDC).

The Los Angeles economy “appears to be past the bottom of the recession and is starting up the recovery path during 2011 and 2012,” said LAEDC Chief Economist Nancy D. Sidhu, Ph.D. “Many industries are back in the black and employment is rising in some areas.”

Imports and exports have rebounded around the world. Increased international trade activity in 2011 will benefit the ports of Los Angeles and Long Beach, which both posted strong years in 2010.

TV/Film production on the rise in the region says study

Hiring is also expected to  grow as well for the region’s  tourism and entertainment  sectors as a result of  increased filming and more    visitors to the region,  helped by the new  convention center hotel at  L.A. LIVE.

However, there is little likelihood the housing sector will escape another difficult year, even though 2011 is expected to bring some improvement. Housing activity will only see incremental improvement even though it has improved from the 2009 lows.

California, which had the second highest unemployment rate in the country in 2010 at 12.5 percent, will see employment growth in 2011. However, much like the national picture, California’s jobless rate will remain relatively high, with the LAEDC forecasting an average unemployment rate of 12.1 percent this year and the rate coming down to 11.5 percent by next year.

“We project that the California and U.S. economies will grow moderately in 2011 and 2012,” said Sidhu. “But the recession was so deep, 2011 won’t feel all that good despite improvements in most industries. However, the state is headed in the right direction, and the economy will seem even better by 2012.”

First-time US Japan Study released by LAEDC today. (LAEDC image)

Growing Together report highlights L.A. County’s personal and economic ties with Japan

 

The LAEDC also released a separate, new report, “Growing Together – Japan and Los Angeles County”. The report describes many of the close ties that have developed between Los Angeles County and Japan, the number one source of foreign direct investment into L.A. County.

U.S. – Japan trade has increased dramatically over the past 50 years jumping from $3.2 billion to $211 billion at its peak in 2000. Japan is the second largest trading partner of the Los Angeles Customs District with the ports of Los Angeles and Long Beach together handling nearly 25 percent of total trade between Japan and the U.S.

The report also documents the growing importance of foreign direct investment in this relationship, reviewing both investments made by Los Angeles area business firms in Japan and Japanese investments in Los Angeles County.

To discuss their investments made in the region, the LAEDC’s Economic Forecast event held at the Los Angeles Marriott on Feb. 16 features a panel of speakers from well-known Japanese companies. Representatives from Honda Motors, Union Bank and Yakult, makers of probiotic beverages, will discuss the significant impact of Japanese companies on the L.A. County economy.

For the full story  of the Forecast & Industry Outlook and  the first-time LAEDC  report Growing Together – Japan and Los Angeles County.

Please visit: http://www.mayocommunications.com/2011-NEWS%20RELEASES/NR-377.htm





Social media adds powerful punch to movie marketing campaigns expert reveal

21 02 2010

[tweetmeme style=”compact”]

If you want to do social media you need to engage your target audience and treat them intelligently. That was the overriding message at a sold-out Entertainment Publicists Professional Society (EPPS) crowd at a media workshop on “How To Do Social Media.” It was sponsored by the International Cinematographers Union Local 600, Hollywood, CA.

Sandi Pannos, EPPS at the podium to kick off  Social Media Workshop at ICG Local 600  Auditorium, Hollywood this month.
(photos by                                                              George S. Mc Quade III – MAYO PR)

“It is possible to measure ROI,” but  according to Panelist Sally Falkow,  Expansion Plus, “Campaigns take four to six weeks of research and strategy and can cost from several thousand dollars to millions. “We don’t go by retainer, but more by the project, because it really depends upon how much time is involved and how long your project runs,” she said.

Falkow was joined by a handful of social media experts, who offered tips and resources on “How To Do Social Media.”

“Movie fans and visitors love behind the scenes marketing of movies,” said Vice President Wayne Bennett of MOVIESET (www.movieset.com), which is based in Vancouver, B.C. The free membership site helps market movies via images, on-the-set interviews and constant blogging. Bennet, a 20 year TV and movie production veteran, uses his social media skills to assist television production and publicity departments.

http://www.youtube.com/watch?v=9OrBQjyPlIA

“You have to type what’s going on behind the camera for fans all over the world,”  Bennett explained. “It might be the director of photography on how he lit the shot, or in the case of Peter Jackson in King Kong, before Facebook, YouTube and Twitter; he was literally posting photos of prop guys, costume fittings with actors, on the scene location scouts activities and video blogs. Jackson built this buzz that topped a million fans, who were already engaged in the process and the movie by the time he finished it for distribution.”

Wayne Bennett

The panel also briefly talked about Widgets, which can be placed on a site or blog, allowing interaction with the visitor without leaving the site. For example:  the Red Cross might have a widget on a blog, where you can donate directly to Haiti earthquake victims.

Panelists also recommended the funneling all your social media sites such as Facebook, Myspace, LinkedIn, Twitter on one portal such as http://www.tweetdeck.com, where you can organize your feeds and tweets.

“Nonprofit organizations do not tell there story very well,” said President Larry Eason, DotOrgpower, Los Angeles.  The digital strategy and communications firm helps dot orgs harness the web and new media to achieve their goals. He works with cause leaders to expand their sense of what is possible Online. He claims to be an evangelist for the power of Online story-telling to move the public, donors and influentials. “You need to treat your audiences intelligently when telling your stories,” explained Eason.

Eason pioneered the use of new media for the Public Interest Research Groups (PIRGs) starting a first-of-its-kind in-house media center, which was acquired by Virilion where he worked with cause and corporate clients such as eBay and Georgetown University.

“You need to target your community groups, mobile interaction, action platforms, and set your goal,” said Mac McLean, Click Communications, North Hollywood, CA. “Before forming Click Communications in May, 2007, McLean handled theatrical promotions, worked at a national advertising agency and did publicity for major studios.

Some panelists noted that 60 percent of the marketing campaigns are spent on social media strategy versus 40 percent on PR and Marketing. “It is one more layer of client management, but for a restaurant the goal is to get people in the door,” said Caroline Rustigian Bruderer, CEO of K-LINE 7 Co., Orange County.

While everyone thought the best way to market your   film is social networking and the best marketing tool   is Facebook with more than 400 million users other tactics surface.

EPPS Media workshop

“Every movie or TV project has a core audience, and   the Internet is the most strategic way to get to those   people,” explained MOVIESET’S Bennett. “This    allows you to do the EPK and other advertising much   later. The concept is Production is the new    Promotion, and the sooner you engage your audience the sooner they are going to grab onto it, and follow the different phases to the point where you get to your last news release or airing. There will be much more information that surfaces to the top of Google than there would be in putting out a short release over six weeks.”

Entertainment companies and filmmakers are leveraging the power of social media by marketing their films to international audiences and building loyal audiences and communities around their work.

Another tactic mentioned are RSS feeds, which in layman’s terms stands for real simple syndication or officially “rich site summary for delivering regularly changing web content. All agreed that to increase web traffic PR pros need an RSS feed on their client’s website or blog to whoever subscribes or wants the content.





New York Times, TV Guide, Advertising Age and People Magazine Editors Share New Media Insights with LA Entertainment Publicists

22 11 2009
EPPS media workshop on NY Media at ICG Local 600 sponsored event

Twitter, Facebook and social networks have become mainstream for entertainment writers and editors, Entertainment Publicists Professional Society (EPPS) members learned recently(11-19-09) at a media workshop sponsored by the International Cinematographers (ICG) Union Local 600 in Hollywood.

West Coast Editor Michael Fleeman, People.com said, “Whether we like it or not, reporters are being dragged into new media, some kicking and screaming about it. You have to know how to do it, and you have to file under deadline.”

New York Times Reporter Edward Wyatt, Los Angeles said reporters are being asked to post their stories Online and twitter about it. “Sometimes I record audio interviews or TV interviews and post them on the site,” he said. Wyatt cautions PR Pros to not miss the forest for the trees.  “If you have a webisode that is attracting 50,000 eyes, and you want to tell me about it great, but it the television show associated with it attracts 16 million people a week, that’s the meat of the story.”

Wyatt covers the television business in LA. He joined the Times in New York in 1995 as a finance and investing reports and has covered education, the redesign of the World Trade Center site, the 2004 Democratic primaries, publishing business, as well as professional cycling and the Tour de France. He moved to LA in 2006 to cover Television.

New York Times Reporter Wyatt also said he’s looking for national stories, because the Times just doesn’t report on Manhattan stories. “When I came to LA I found we had not done a story on Two-and-a-Half Men, which is the biggest comedy on television and watched all over the country,” he said. “A lot of people in Manhattan don’t watch it, but people in Iowa, Kansas and elsewhere do. So if you bring stories with a national pace, we’re interested.”

.

Los Angeles Reporter Andrew Hampp for Advertising Age echoed other complaints of panelists on publicists’ followup calls on a pitch.

“Please don’t pitch me after you received a big NO from another editor above me,” he said. “We are still a work in progress, and started our website three years ago. We have separate website andmagazine editors and then we share editing staff. It’s about 99 percent original content on the website. There’s not much overlap between the magazine and website. The site is shorter, faster and more newsie, breasier and a younger user,” he said. Hampp said the print version deadline for  Ad Age magazine is Thursday or early Friday, and the AdAge.com has a daily and weekly newsletter so there is much to choose from through the week. He says deadlines are many at AdAge.com

Hampp’s pet peeves of PR Pros is that second followup phone call he receives after the press release has been received. “

Staff Editor Natalie Abrams, TVGuide.com said, “I think my biggest pet peeve is just the coordination on events,” said TVGuide.com’s Natalie Abrams. “ I’ll get three separate emails a network publicist, a studio publicist, a show publicist or a personal publicist for the actor, and it is all on the same thing, making it hard to decide who to respond to, so coordination on that end would be good,” she said.

TVGuide.com’s Abrams also  said they don’t have full time twitter people, but each writer or editor use new media to drive more traffic to TVGuide.com’s websites.

Abrams also agreed with Wyatt about lying, “if you don’t want it out there that your client is going to be killed off of a show, or that your show has been cancelled, we can embargoed it, just be honest with us.”

Natalie Abrams, staff editor, TV Guide.com is the west coast Staff editor at TVGuide.com, a one-stop entertainment and video content destination serving more than 20 million unique users per month. From television spoilers to insider scoops, Abrams breaks the latest in entertainment news. Since joining in September, 2009, she landed exclusive interviews with some of the hottest celebs including the cast of Glee, Lost, Grey’s Anatomy, 24 and 90210 among others.

Los Angeles Reporter Andrew Hampp for Advertising Age echoed other complaints of panelists on publicists’ followup calls on a pitch. “Please don’t pitch me after you received a big NO from another editor above me,” he said. “We are still a work in progress, and started our website three years ago. We have separate website and magazine editors and then we share editing staff. It’s about 99 percent original content on the website. There’s not much overlap between the magazine and website. The site is shorter, faster and more newsie, breazier and a younger user,” he said. Hampp said the print version deadline for  Ad Age magazine is Thursday or early Friday, and the AdAge.com has a daily and weekly newsletter so there is much to choose from through the week. He says deadlines are many at AdAge.com.

New York Times Wyatt told EPPS workshop that  his two pet peeves from entertainment publicist who pitch him include: “getting asked ‘who have you been talking to, which is none of your business when I am trying to just do a story”  and when publicist lies to their client, “because what will happen is one day I’ll meet your client at a cocktail party and they will say ‘why didn’t you talk to us to promote this new show of mine?’ This actually happened. I said, “Because I asked your publicist, and he said, “you couldn’t talk for X and Y reasons, and I was there on the set, and you walk right past me three or four times. Just don’t do that (lie).”

All panelist prefer email pitches, and most prefer early mornings, except for Edward Wyatt of the NY Times, because he deals with editors, who are three hours of ahead in the morning.

Wyatt@nytimes.com – 323-617-9034

Natalie. Abrams@tvguide.com – 323-856-4093

Michael_fleeman@peoplemag.com 310-268-7200

Ahampp@adage.com –  no phone number provided

Be sure to sign up for other media trend stories and behind the scenes stories (free) in entertainment publicity at the following sites Online:

MAYO PR

FACEBOOK/EntertainmentPublicity

LINKED-IN Entertainment Publicists Group

For entertainment Publicity for movies, TV and music
visit: www.MayoCommunications.com or
www.LAEntertainmentPublicity.com.

We welcome your comments, questions, suggestions and discussions. Thx.





Brian McKnight and Julio Iglesias, Jr., along with Emily Bear and Timothy Mitchum To Perform Live at First Annual Noble Awards in Beverly Hills Sunday

16 10 2009
Teri Hatcher (www.babble.com)
Teri Hatcher (babble.com)


Teri Hatcher, Norman Lear, Lionel Richie, Laila Ali, Nancy O’Dell
Joel Madden, Brett Ratner, Kenny Babyface Edmonds, Billy Bush and Annalynne McCord

have been confirmed on star-studded list of celebrity humanitarians attending the red carpet and Noble Awards event this Sunday, Oct. 18th at the Beverly Hilton, Beverly Hills.
Morgan Freeman is receiving a Lifetime Achievement Awardand is also confirmed.
Brian McKnight
is an American singer, songwriter, arranger, producer, and pop and R&B musician. He is a multi-instrumentalist who can play nine instruments: piano, guitar, bass guitar, drums, percussions, trombone, tuba, French horn and trumpet. Brian McKnight has earned himself a spot in contemporary music history. He has released 11 albums to date, 7 of them have gone platinum, with several going 2 and 3x platinum, and has sold over 20 Million albums worldwide. He just released a new album last month. Brian McKnight (Video)
8-year old Emily Bear – One of the youngest if not the world’s youngest composer, who played at the White House will perform live Sunday at Beverly Hilton during the two hour Noble Awards show.

Emily was the youngest solo performer in the history of the Ravinia Festival, has performed with many well known musicians, appeared on “The Ellen DeGeneres Show” five times and performed at the White House. See Events for more info and Galleries for photos and videos.
Julio Iglesias Jr. – Dejame volar


Julio Iglesias Jr. was born in Madrid, Spain to well-known singer, Julio Iglesias and Isabel Preysler. He moved to Miami, Florida at a very young age, a place he now considers home. Although he has spent his whole life surrounded by music, his own personal journey into the music industry didn’t begin until the late 90’s when he released his first album in English titled “Under My Eyes” with Epic Records. With the desire to go back to his roots and reestablish himself, the budding musician searched for new territory to conquer. Julio chose to sing in Spanish and the result is the mind-expanding Tercera Dimension.
The two-hour event, hosted by Access Hollywood’s very own Billy Bush, seeks to annually honor up to a dozen charities and celebrities who actively support them, elevating awareness of these organizations and the impact of their work.
Celebrities who will accept awards on behalf of the charities being honored include Laila Ali (Women’s Sports Foundation), Bush (Lollipop Theater Network), Kenny Edmonds (Stand Up to Cancer), Teri Hatcher (Childrens Hospital Los Angeles), Norman Lear (Playing for Change), Joel Madden (The Art of Elysium), Annalynne McCord (The Blind Project), Access Hollywood’s Nancy O’Dell (Best Buddies), Eva Longoria Parker (Padres Contra El Cancer) and Brett Ratner (DoSomething.org).
The Blind Project, The Lollipop Theater Network, Padres Contra El Cancer and Playing for Change will be honored along with six other previously announced charities.
During the ceremony, each will be presented with an award sculpture, designed by Antonio Banderas, with personal touches added by children who participated in The Art of Elysium workshop at the Shriner’s Hospital for Children. Brian McKnight and Julio Iglesias, Jr., along with Emily Bear and Timothy Mitchum will provide live musical performances throughout the evening.
“We are delighted to present these eleven distinguished charities and their celebrity supporters with the inaugural Noble Award,” said Janeen Mansour, creator and executive producer of the Noble Awards. “We hope this will inspire a revolution for giving not only in Hollywood, but globally.”
For more information, please visitwww.thenobleawards.org.  




65th Anniversary of D-Day Celebrated on Film

2 06 2009
WW II Vet Bill Newbery, suffered frostbite while serving in the 75th Div., Normandy. He won a drawing for the DVD at a recent event Memorial Day weekend in LA. Photo by George Mc Quade

WW II Vet Bill Newbery, suffered frostbite while serving in the 75th Div., Normandy. Photo by George Mc Quade

The Americans on D-Day A Great Father’s  
Day Gift for Dad, Grandpa and Whole Family

 

Film Review
Steve Shepherd

 “The Americans on D-Day” is a compact and concise examination of the United States‘ part in the June 6, 1945, Allied invasion of Normandy. 

 Considering the enormity of the actual D-Day undertaking it might sound hopeless to present a comprehensive account in a film with a running time of 44 minutes, but producer-director Richard Lanni has come up with a well organized documentary that provides a clear outline of the events of D-Day, punctuated along the way with somewhat more detailed accounts of specific moments in the battle that turned the tide of World War II in Europe.

  The film benefits immensely from the presence of Ellwood von Seibold as host-narrator-tour guide. Donning authentic military uniform and accessories – down to the “pineapple” style hand grenade hanging from his utility webbing – von Seibold shares a wealth of knowledge on the subject, presenting it with an elegance that provides an effective counterpoint to the brutality that is, after all, at the center of the D-Day story. 

200-AmericansOnDDay DVD

  “The Americans on D-Day” strikes a tone appropriate to the nature of D-Day, offering a matter-of-fact account that acknowledges the powerful emotional component of its subject matter while stopping short of romanticizing or idealizing an event that was as bloody and brutal as it was essential to the Allies’ success inEurope. 

  The production deftly blends archival footage and stills with contemporary footage. Early on, we see black-and-white images of U.S. forces, including Supreme Allied Commander Gen. Dwight D. Eisenhower – as we hear audio of Ike’s sendoff to the D-Day forces. 

  “You are about to embark upon a great crusade,” he tells them. “The hopes and prayers of liberty loving people everywhere march with you. You will bring about the destruction of the German war machine.

  “We will accept nothing less than full victory”

  The film then goes on to function as a battlefield tour, offering close-ups of German fortifications along the beaches of Normandy, arms – including the MG-42, a heavy machine gun that could fired upwards of 1,200 rounds per minute – and bridges and structures that played key roles in the Allie invasion.

  Interviews with both U.S. and German veterans of the operation provide further personal insight into the significance of D-Day and its human toll.

  Many of the images presented in “The Americans on D-Day” will be familiar to those who have seen the feature film “Saving Private Ryan,” the TV miniseries “Band of Brothers,” or any number of other filmed projects that touch on D-Day.

  The DVD package has extras including the film’s trailer, a making-of feature, a segment on weapons training, another on uniforms and a collection of stills.
Sphere: Related Content. ===================================================================
Editors note: If you would like a copy of Americans of D-Day to review at your publication or media news website contact:

MAYO Communications 818-340-5300
or send request by email.





Daniel Maze CCN TV News Interview Online

11 10 2008

Daniel Maze

Daniel Maze

Managing Director Dan Maze, MAZEfilms, Inc. was interviewed this week on CCN TV News about challenges of producing and distributing a movie in a challenging economy in Hollywood. The new movie is called “CORNERED!” starring Steve Guttenberg and James Duval, and was shot in downtown Los Angeles. Maze was interviewed in front of Raleigh Studios in Hollywood, the location of an upcoming MAZEfilms, Inc. event.

Be sure to check out the movie trailer, cast and crew at http://www.corneredmovie.com

Also posted at:
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Facebook 

IMDb